What began in the shadows of queer underground culture as a subversive celebration of identity has, over the decades, been transfigured into something far more palatable and considerably less dangerous. The evolution of camp in film tells a tale, not merely of aesthetic evolution, but of cultural assimilation, where the radical edge of theatrical transgression has been dulled by gradual mainstream appropriation.
One needs to explore how the discourse around “saving” Muslim women, in particular, often comes from a colonial, culturally superior gaze that strips them of their agency. Instead, by using the distinct lens of radical films like Joyland and Seed of the Sacred Fig, we see how gender, sexuality, artistic expression and resistance take shape in very specific cultural and political realities.
