Long-running horror franchises are either defined by their reinvention or lack thereof. To watch the series in order is to witness a distinct evolution. From Bride of Chucky onwards, the series moves away from the familiar trappings of 80s slasher cinema into a much more distinctly queer text.
With standardisation comes homogeneity, and homogeneity creates anomalies who do not fit into the mould and therefore need to be discarded on the margins. These beings on the margins, who do not fit sanitised and legally-enforced definitions created by states and adopted by nations, are at the centre of the discussion. Dalit-Queer folx (people who are both Dalit and Queer) inhabit the "death worlds" that Achille Mbembe discusses in his theorisation of Necropolitics.
Starring Rajit Kapur as Debu, Munisha Koirala as Juhi, and Sanjay Naval as Kaku, Deepti Naval's directorial debut was an attempt at alternate cinema enchanted with unconventional themes and unsettling portrayals of queerness, desire, and family.Â
